Alessi Archive

“Sfrido”, the potato peeler designed by Valerio Sommella is part of the collection Objects Bijoux. Its very name (‘sfrido’ is Italian for scrap) hints at its function, a clear reference to the waste produced when using it. The story of Sigurd and his sword, which was so sharp that he was able to cut an anvil and a dragon in two, were a source of inspiration. The shape of “Sfrido” recalls a stylized ribbon: a continuous band that gently bends and twists and eventually encloses the blade. The curves created by these dynamic lines enable you to hold the object in a natural way, guaranteeing an ergonomic grip. The reduced size and smooth forms of the potato peeler enable the user to grip the object in the way they find most comfortable and it’s suitable for all types of vegetables.

Alessi GV33 Valerio, Citrus-squeezer/pestle in 18/10 stainless steel. Designer: Guido Venturini. Material: Stainless Steel.

Alessi Apostrophe Orange Peeler …

One of the first projects by French designer, Philippe Starck for Alessi. The Juicy Salif was devised in the second half of the 1980s (along with the Walter Wayle II wall clock, the Hot Bertaa kettle and the large Max le Chinois colander). An excellent example of Alessis role as artistic mediator in the most turbulent areas of creative potential (the piece was his response to our precise briefing for a stainless steel tray), it remains unparalleled in its ability to generate discussions about its meaning and design, partly because of its unconventional use of what semiologists refer to as the decorative veil which, even though generally in a less overt manner, is inexorably destined to cover all objects created by man. To fully understand the true meaning of its existence, it is possibly necessary to refer to the theories of Leroy-Gourham, who considers the notion of functional approximation to be fundamental. This notion suggests that there is always a certain degree of freedom in interpreting relationships between Form and Function: it is precisely this continual play between Form and Function that leads to the decorative veil mentioned above, that Floch considers to be the manifestation of the legendary and aesthetic dimension of the object, as originally defined by Greimas. As well as being the most controversial citrus fruit squeezer of the 20th century, it has also become one of the icons of design of the 1990s, and it continues to be one of the most provocatively intelligent articles in the Alessi catalog.

This mini sized 4.53″ tall Juicy Salif Mini Citrus Squeezer from Alessi is the miniature take on the Citrus Squeezer from the Italian design company. Stylish and tasteful, the piece effortlessly teams elegance and decorative style. The Juicy Salif Mini Citrus Squeezer is a truly iconic object and symbol not only of designer Philippe Starck, but of Alessi itself. The piece from Alessi was sketched in its essence by Starck during a holiday by the sea in Italy, on a pizzeria napkin, underlining his eye for design and his unique creative process. Made from 18/10 stainless steel, make this piece the latest addition to your kitchen look. Please note: This is a decorative item from the Alessi miniatures collection and is unsuitable for squeezing fruit.

Paring knife in steel. Handle in thermoplastic resin. “Peel”, designed by Anna and Gian Franco Gasparini, is the Knife for the kitchen of the “Tatau” range that’s been purposely designed for cleaning fruit and vegetables. The tip is thin and sharp, so it can easily penetrate the vegetables or fruit or remove any little damaged parts.

The Iconic Juicy Salif by Philippe Starck !
Free with Purchase – Apostrophe Orange Peeler a $27.00 Gift!!

One of the first projects by French designer, Philippe Starck for Alessi. The Juicy Salif was devised in the second half of the 1980s (along with the Walter Wayle II wall clock, the Hot Bertaa kettle and the large Max le Chinois colander). An excellent example of Alessis role as artistic mediator in the most turbulent areas of creative potential (the piece was his response to our precise briefing for a stainless steel tray), it remains unparalleled in its ability to generate discussions about its meaning and design, partly because of its unconventional use of what semiologists refer to as the decorative veil which, even though generally in a less overt manner, is inexorably destined to cover all objects created by man. To fully understand the true meaning of its existence, it is possibly necessary to refer to the theories of Leroy-Gourham, who considers the notion of functional approximation to be fundamental. This notion suggests that there is always a certain degree of freedom in interpreting relationships between Form and Function: it is precisely this continual play between Form and Function that leads to the decorative veil mentioned above, that Floch considers to be the manifestation of the legendary and aesthetic dimension of the object, as originally defined by Greimas. As well as being the most controversial citrus fruit squeezer of the 20th century, it has also become one of the icons of design of the 1990s, and it continues to be one of the most provocatively intelligent articles in the Alessi catalog.

“Juicy Salif”, designed by Philippe Starck in 1990, has become an icon and one of the most popular items in the Alessi catalogue. To celebrate this important anniversary, 25 years, a special version of the citrus-squeezer has been produced. For all “Juicy Salif” fans, its aluminum core is coated in matt white ceramic. A non-color that enhances its shape and lends it an abstract air, highlighting its iconic value. The ceramic coating permits contact with foodstuffs and use in the kitchen. “Juicy Salif” comes in special packaging, developed in collaboration with the designer.

Alessi 85, citrus-squeezer in 18/10 stainless steel mirror polished. Designer: Carlo Mazzeri, Anselmo Vitale.

Alessi UT108, Lemon-squeezer in cherry-wood. Designer: Kuno Prey. Material: Beechwood. Country of Origin: Italy